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How much of Sam Mendes's work have you seen? Won 1 Oscar. See more awards ». Known For. Skyfall Director. Road to Perdition Producer. Revolutionary Road Producer. Show all Hide all Show by Hide Show Producer 18 credits. Beautiful Ruins producer pre-production. Empire of Light producer pre-production. Show all 10 episodes. Show all 19 episodes. Show all 6 episodes. Show all 27 episodes. Show all 7 episodes. Hide Show Director 13 credits. Empire of Light pre-production.
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Show all 11 episodes. And I like to return to the theater between films. But after not doing any movies for a few years, perhaps I might do two in two years.
I only knew the script had an unusual and original voice and it was a challenge I wanted to take on. With the exception of Three Kings this is a war that has been overlooked but which has a burning relevance to what is happening right now in the Middle East.
I feel the award is a bank loan, which I'll take out and pay back by the end of 20 years, and by then I'll feel more deserving. In America, it's like talking about a different movie. Fundamentally, "Jarhead" disobeys all the laws of American movies, and not just the political laws of American movies right now, which demand on some level to tell us which side they're on.
In Europe, there's a sense this film comes from the tradition of absurdist war movies about the futility of conflict. I don't want to be known for one thing. I don't want to have an adjective based around my name. But there isn't going to be, and I don't want there to be, a 'Mendesian'.
We are only now catching up. She was one of a kind, a magnificent actress. She was also an amazing mother, a loyal friend, and the greatest and most generous host you could ever hope to meet. It defies belief that this gifted, brave, tenacious, wonderful woman is gone.
I am fascinated by America, no question about that. I will stop making films about it eventually, though, because I think there's a limited amount to say. But I am drawn to it. I don't think it's weird for an outsider to go and make movies that are quintessentially American. I think the 20th century shows that there is a tradition of people being drawn to America as the site of the great mythic landscape.
You can tell big stories there that you might not be able to tell with such scale and grace elsewhere. They're all about one or more people who are lost and trying to find a way through.
It's no different with this one, it just happens that they do find a way through. Get in touch with your inner 12 year old. He or she was an interesting kid. Making an action sequence is only interesting when you're in the cutting room.
Up until then, it is literally the most tedious thing you will ever do. You are playing roulette with someone else's money. If you are going to bet it all on black, you need to be able to explain why. You need to learn to tune out the white noise. You can not please everyone. There is a reason. You're trying to surf the big wave, so be prepared to be wiped out - but when you catch it, it feels like nothing else. When you're choosing for collaborators, do not listen to the people who tell you, "Yes, but I've never done a big movie.
When you get excited, don't be afraid to leap out of your chair and sing the James Bond theme. View agent, publicist, legal and company contact details on IMDbPro. Getting Started Contributor Zone ». Edit page.
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